Wesley's Tool-Box

Nuri rocket (a.k.a. KSLV-II) launches have become something of an annual event for the past half decade. And visiting a small island in Yeosu to witness their launches in person has become a personal ritual of mine. The fifth launch of the rocket occurred at 12:25 PM on October 7, 2026 without any delays, and like the previous launches except for its maiden one, it was successful.

While successful launches all look fairly similar, there can be some interesting differences. Last time, it was a first-ever night launch. This time, it was done right in the middle of the day. All other ones were done in late afternoons. And as luck would have it, a seagull happened to be passing in front of the rocket just after takeoff, allowing me to capture this fun photo.

Another thing about this observation was that it was the second time that I used an iPhone 17 Pro Max to capture a rocket launch. Since I normally upgrade my iPhones once a year, I would have normally used different phones for each launch. But I'm waiting for iPhone Neo to be release on October 23, so this did not happen. And since iPhone Neo won't have a telephoto lens, it's likely that I'd still bring the 17 Pro Max to the sixth launch as well. Here's how the rocket looks like with its telephoto lens at maximum zoom.

While I've personally witnessed several solar eclipses before, none of them were total. So when I found out that one such occurrence would take place near a direct flight destination - Madrid, Spain - I seized the opportunity. Because Madrid was just outside the path of totality, I went to Segovia, a city about 70 km to the north, a day after my arrival. I scouted for a good location to observe the eclipse and eventually settled on a spot near Alcázar of Segovia. As you can see above, it was an excellent vantage point.

Since Segovia was a bit off from the "optimal" location, the totality would last just short of a minute, compared to nearly 2 minutes in some places. So that left less margin for error and thus I came prepared. Fortunately, my efforts paid off, and ended up shooting 35 photos of the totality, as well as several hundred of the partial eclipse. And I was able to do continuous shoots for the most part, except for a brief break where I had some issues with the tracker I brought. The entire sequence has been uploaded to YouTube.